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in the current paper. Another issue is the widespread reliance on microdomains. However, there are other underlying factors.  Existing standards for assessing computational creativity have  historically focused on product evaluations.  \citeA{ritchie07} uses metrics that depend on properties that a reasonably sophisticated judge can ascribe to generated artifacts: artefacts:  ``typicality'', i.e., the extent to which an artifact artefact  belongs to a certain genre, and ``quality''. These are used as atomic measures from which more complex metrics, including ``novelty,'' can be derived. Most often, the judge is assumed to be a human. %  In recent years, artefact-centred evaluations are increasingly  complemented by methods that consider process