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Anna Jordanous edited serendipity-in-computational-context.tex
about 9 years ago
Commit id: f2df96bf95001774baab9aa8048b57c274790652
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%% Workshop ``technologically unrealistic'' or similar, so let's try to
%% make sure we're not overpromising. I think the other paper makes it
%% all fairly realistic.]}
To evaluate our computational framework in usage, we apply a thought experiments around scenarios where there is high potential for serendipity
%% In \cite{poetry-workshop}, we investigate the feasibility of using
%%
designs of this sort in multi-agent systems that learn by sharing and
%%
discussing partial understandings.
This %%This earlier paper remains broadly
%% indicative, however, and the ideas it describes can see considerable
%% benefit from the more formal thinking we develop in the current work.
% \citeA{poetry-workshop} describes a Writers Workshop for poetry
%systems.
Following \citeA{gabriel2002writer}
% we described a template for a pattern
% language for interactions in a computational poetry workshop, closely
\footnote{The thought experiment outlined here follows the descriptions by \citeA{gabriel2002writer} of Writers Workshops. Following \citeA{gabriel2002writer}, we define a \emph{Workshop} to be an activity for two or more agents consisting of the following steps:
%itemize? {\tt presentation}, {\tt listening}, {\tt feedback}, {\tt questions},
and {\tt reflections}. In general, the first and most important
feature of {\tt feedback} is for the listener to say what they heard;
in other words, what they find in the presented work. In some
settings this is augmented with {\tt suggestions}. After any {\tt
questions} from the author, the commentators may make {\tt replies}
to offer clarification.
We return to discuss Writers Workshops and serendipity in Section \ref{future}.}
This is how these steps map into the diagram
we introduced in Section \ref{sec:background}:
\input{ww-schematic-tikz}