A chord consists of a combination of notes sounding simultaneously or close enough in succession to resemble a texture. The Harvard Dictionary of Music defines a chord as consisting of at least three notes\cite{harvdict}. A chord perceptually describes the notes that are contained within.
Chords are commonly labeled with qualities, which describe the intervals between the pitch classes involved, invariant of octave. Notes can be replicated across octaves as long as they occur at least once, and the ordering can be changed. Different orderings and octave choices in a chord are called voicings.
A major chord consists of a root note, the base pitch class from which successive intervals are constructed, and pitch classes 4 semitones and 7 semitones above the root note modulus 12. This can be notated as a list of intervals, \(0, +4, +7\) mod 12, but for convenience the root note corresponding to interval \(0\) can be omitted. See figureĀ \ref{fig:qualitytable} for a sample of commonly named chord qualities and the associated intervals.
Chord Quality | Shorthand | Intervals from Root (mod 12) |
---|---|---|
Major | +4, +7 | |
Major 6th | 6 | +4, +7, +8 |
Major 7th | maj7 | +4, +7, +11 |
Minor | m | +3, +7 |
Minor 6th | m6 | +3, +7, +9 |
Minor 7th | m7 | +3, +7, +10 |
Dominant 7th | 7 | +4, +7, +10 |
Augmented | aug | +4, +8 |
Diminished | dim | +3, +6 |
Diminished 7th | dim7 | +3, +6, +9 |
Half-diminished 7th | m7b5 | +3, +6, +10 |
\label{fig:qualitytable}
Chords are labeled with their root note followed by their quality, like \(Eb\) minor, \(B\) augmented, or \(F\) half-diminished 7th. A chord with only 3 notes in which successive intervals are within an octave from the root note is called a triad. A \(C\) major triad is demonstrated in figureĀ \ref{fig:cmajorchord1}.