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  • Power within the festival production process

    Abstract

    This paper is based on qualitative studies of festival production. Together with my colleagues, we conducted 48 interviews with employees, co-workers and volunteers who worked at 12 festivals located in Poland. Main problem discussed here is “How people are governed in the process of festival production?” The system of differentiations that permits one to govern the others is the position in the network of relations. This network is a product of previous festivals, thus, the festival itself is both a stream of social network production and a competitive effort of individuals aiming to accumulate as many of these relations as possible. Individuals acting in the process of festival production aim to gain accurate position within the cultural field. Funding rules are the most important source of power over this sector. Both the precarious character of ‘work’ in a cultural field, especially in festivals production, and its continuous demand for a low paid and free labor, are related to neoliberal governing at the central, political level. This governing needs specific type of subject, which might be called active.

    Keywords: power, Foucault, cultural field, festivals

    This is a draft of an article

    The article aims to describe human capital governing in a festival production process. In other words, it endeavours to describe how actions of different individuals influence each other in a field of festival production. How decisions of the most powerful players form a field of possibilities for the others? How all players govern themselves within this field of possibilities, how they work on themselves to be successful within these possibilities and what struggles occurs between them in this field?

    About the research

    This paper is based on qualitative, empirical studies of festival production, which were previously described in a book “Fabryka kultury – praca i wolontariat przy festiwalach kulturalnych” by Gorgoń et al. In August and September 2013, together with colleagues, we conducted 48 in-depth, semi-structured interviews with employees, co-workers and volunteers who work at 12 festivals financed by the Ministry of Culture and National Heritage of Poland. The conversations mostly referred to organization of interlocutor’s work, its conditions, problems that the he or she encountered at work, his or her motivation etc. Basing on this conversations and using grounded theory, we were able to describe the process of festival production quite precisely. In this work, I would like to reexamine the research material, using different methodological approach.