Barry Lewis (2000) states that AFW “traces the rise and fall of Ono, and his career as a painter from the first decades of the twentieth century through to the early 1950s” (2000, p. 50). Stevens recalls a story his father, Stevens senior, would tell him about an Indian butler who killed a tiger without fuss so that it would not disturb the equipoise of a colonial tea-party (Ishiguro, 1989, p. 36). Wherein, he says, “lay the kernel of what true dignity is” (Ishiguro, 1989, p. 42). It perhaps applies equally to the English-language primetime “godi” media anchors in India who “are like the Indian butlers ready to kill anyone, figuratively, of course, who dares to disturb the equipoise of the current dispensation; and would itself not disturb the equipoise of the present dispensation by posing questions to them rather than to the unofficial Opposition (Chaturvedi, 2018).